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Alexandre Benois
Alexandre Nikolayevich Benois ((ロシア語:Алекса́ндр Никола́евич Бенуа́, also spelled Alexander Benois); ,〔Salmina-Haskell, Larissa. ''Russian Paintings and Drawings in the Ashmolean Museum.'' pp. 15, 23-24. Published by Ashmolean Museum, 1989〕〔Various sources, e.g. ''Encyclopædia Britannica'', give his birth date as 21 April (Julian)/4 May (Gregorian). This cannot be correct; it implies a 13-day gap between the calendars; however, in 1870 the gap was 12 days.〕 Saint Petersburg9 February 1960, Paris), was an influential artist, art critic, historian, preservationist, and founding member of ''Mir iskusstva'' (World of Art), an art movement and magazine.〔〔Owen, Bobbi. ''Costume Design On Broadway: Designers and Their Credits, 1915-1985.'' p. 19 Greenwood Press: New York, 1987〕 As a designer for the Ballets Russes under Sergei Diaghilev, Benois exerted what is considered a seminal influence on the modern ballet and stage design.〔
==Early life and education==
Alexandre was born into the artistic and intellectual Benois family, prominent members of the 19th and early 20th-century Russian intelligentsia. His mother Camilla (ru: Камилла Альбертовна Кавос, and then Бенуа) was the granddaughter of Catterino Cavos. His father was Nicholas Benois, a noted Russian architect. His brothers included Albert, a painter, and Leon, also a notable architect. His sister, Maria, married the composer and conductor Nikolai Tcherepnin (with whom Alexandre would work). Not planning a career in the arts, Alexandre graduated from the Faculty of Law, Saint Petersburg Imperial University, in 1894.
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